The second scenario was to create a corporate portrait of a wall street business man whose business has just failed but has still walked out with $1.4 Billion.
For this shoot we had two soft boxes evenly positioned either side of Rhys and both were on an angle facing Rhys. The background was just plain grey paper, but we used a snoot to create the spotlight to add more interest to the shot and emphasise the subject more.
The third scenario was a corporate shot of an upcoming prime minister, which was to portray compassion and 'moving forward'.
This is probably the weakest of the three shots and I think we took compassion a little to far with our props. Lighting wise we had two tungstens on Chels and one on the background to create the gradient. As a portrait I think the shot works without the baby.
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